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发表于 2017-8-5 22:03:57 | 显示全部楼层 |阅读模式
A classic invention
Multispectral imaging: A  scanner that sees a wider range of colours than the human eye is  unlocking previously illegible manuscripts
Dec 3rd 2011 | from the print edition

  TECHNOLOGICAL spin-outs from universities are usually expected to  emerge from the engineering department, the school of medicine or the  faculty of physics. At Oxford, however, they like to do things  differently. The latest invention to emerge from the dreaming spires of  England’s oldest university is the brainchild not of any of these  academic Johnny-come-latelies, but rather of a group who trace their  origins to Oxford’s medieval foundation: its classicists.
The  multispectral-imaging scanner developed in the faculty of classics by  Dirk Obbink, a lecturer in papyrology and Greek literature, and  Alexander Kovalchuk, a mathematician and physicist, is able to detect  traces of faded or hidden inks and paints in historical manuscripts,  expose forged documents and art works, and highlight forensic evidence  such as fingerprints and stains from bodily fluids. It will soon be  available commercially from a firm called Oxford Multi Spectral.
  Multispectral imaging works by scanning objects at a series of specific  frequencies both within and beyond the visible spectrum. It is able to  highlight details human eyes cannot normally see, either because they  are swamped by the signal from other visible frequencies, or because  they are not detectable by the rod and cone cells of the retina.
  Classicists at Oxford first deployed the technique in 1999, to examine  papyri discovered in a villa that was buried by the eruption of Mount  Vesuvius in 79AD. They then applied it to previously illegible  manuscripts called the Oxyrhynchus papyri, which were discovered in an  ancient rubbish dump in Egypt. Documents deciphered using it include an  epic poem from the 7th century BC by Archilochos and parts of a lost  tragedy by Sophocles that dates to the 5th century BC.
Over  the past decade Dr Obbink, Dr Kovalchuk and their team have both  improved the hardware of multispectral analysis (which was originally  developed by America’s space agency, NASA), and written more  sophisticated algorithms to analyse what is seen. To start with, they  had to rely on a high-resolution camera mounted on a frame, and a series  of filters attached to a rotating wheel, to create a set of  single-frequency images from the same perspective, in order that they  could be merged as desired.
Now they have something that  works like a flatbed document scanner, with a scanning head containing  either six or 12 light-emitting diodes, each emitting light of a  specific wavelength between 350 nanometres (ultraviolet) and 800  nanometres (infra-red). Each time the head moves across the instrument a  different diode is switched on, and the results are recorded and fed  into a computer.
Sometimes images taken at a specific  frequency provide the best contrast. For example, iron-gall ink,  commonly used on ancient documents, is transparent to infra-red light  and most visible in the ultraviolet region of the spectrum. In other  cases the clearest picture emerges by combining images from several  frequencies. The iron-and-carbon-based ink used in one of the oldest  Hebrew commentaries on the Old Testament is an example of this. Much of  the book, which dates from the 10th century AD, was rendered illegible  in the late 19th century by misguided academics who used shellac to  varnish it. Combining data from different frequencies has highlighted  the old ink and allowed the document to be read.
Besides  looking at ancient scrolls, the multispectral scanner can compare things  like bank notes and passports with reference documents of known  provenance. Alternatively, as in the case of forensic evidence when the  user does not know precisely what to expect, different combinations of  frequencies can be examined to see if anything interesting emerges. As  an added bonus, the new scanner also provides a novel retort to those  who question the value of studying the classics in the modern world.
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