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川外学院2011 年MTI 硕士入学考试 第1 卷:
基础英语
Part 1: Fill in the blanks. (20 POINTS)
01. In the ____ enumerations of the mortal virtues 1 had met with in my readings, I found the
catalogue more or less numerous, as different writers included more or fewer ideas under the
same name. (vary)
02. He is sober and ____, therefore he is all he ought to be as to the affairs of this life; as for those of
the next, he must trust to the great Creator. (labor)
03. As old ploughmen and new men of the woods, as Europeans and new made Indians, they
contract the vices of both; they adopt the moroseness and ____ of a native, without his mildness,
or even his industry at home. (ferocious)
04. Each of these people instructs their children as well as they can, but these instructions are feeble
____ with those which are given to the youth of the poorest class in Europe. (compare)
05. A man should learn to detect and watch that gleam of light which ____ across his mind from
within, more than the luster of the firmament of bards and sages. (flash)
06. We must learn to reawaken and keep ourselves awake, not by mechanical aids, but by an infinite
____ of the dawn, which does not forsake us in our soundest sleep. (expect)
07. I have always been ____ that I was not as wise as the day I was born. (regret)
08. They should be sold by the hundred-thousand, and read by the million, and admired by every one,
who is ____ of admiration. (capacity)
09. Many men are considering whether women are capable of being and having more than they are
and have, and whether, if so, will be best to consent to ____ in their condition. (improve)
10. What woman needs is not as a woman to act or rule, but as a nature to grow, as an intellect to
discern, as a soul to live ____ and unimpeded, to unfold such powers as were given her when we
left our common home. (freedom)
11. We have to do with the past only as we can make it ____ to the present and to the future. (use)
12. There is one thing that is contentingly ____ in Mr. Howells.s books. (notice)
13. ____ the old social standards of the college was admirable, and if it had little practical value or
personal influence on the mass of students, at least it preserved the tradition for those who liked
it. (luck)
14. The novel and the romance, the novel of incident and that of character—those ____ appear to me
to have been made by critics and readers for their convenience, and to help them out of some of
their difficulties, but to have little reality or interest for the producer, from whose point of view it
is, of course, that we are attempting to consider the art of fiction. (separate)
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15. Art derives a considerable part of its ____ exercise from flying in the face of presumptions, and
some of the most interesting experiments of which it is capable are hidden in the bosom of
common things. (benefit)
16. The first thing to do when they came back was as they thought to get the baby ____. (baptism)
17. Returning with me to my room, he had talked so long and well of the effect of light on color, of
form and its significance, of the new cubistic and post-impressionistic movements, the import
and significance of which he declared ____ he had measured and for the most part discarded, that
I became frightened mad did not for years afterwards try to paint. (scorn)
18. There are young Americans today who are doing such ____ and authentic work that it makes me
sick to see that I am a little too old to be one of them. (passion)
19. When they were climbing the long approach to a bridge alter leaving Cairo, rising slowly higher
until they rode above the tops of bare trees, she looked down and saw the pale light ____ and the
river bottoms opening out, and then the water appearing, reflecting the low early sun. (wide)
20. In that year I had had time to become aware of the meaning of all my father.s bitter warnings,
had discovered the secret of his ____ pursed lips and rigid carriage: I had discovered the weight
of white people in the world. (pride)
Part 2: Grammar and Vocabulary. (20 POINTS)
01. An important property of a scientific theory is its ability to ____ further research and further
thinking about a particular topic.
A. stimulate B. renovate C. arouse D. advocate
02. Although architecture has artistic qualities, it must also satisfy a number of important practical
____.
A. obligations B. regulations C. observations D. considerations
03. Life insurance is financial protection for dependents against loss ____ the breadwinner.s death.
A. at the cost of
B. on the verge of
C. as a result of
D. for the sake of
04. In education there should be a good ____ among the branches of knowledge that contribute to
effective thinking and wise judgment.
A. distribution B. balance C. combination D. assignment
05. The American dream is most ____ during the periods of productivity and wealth generated by
American capitalism.
A. plausible B. patriotic C. primitive D. partial
06. Poverty is not in most ____ cities although, perhaps because of the crowded conditions in certain
areas, it is more visible there.
A. rare B. temporary C. prevalent D. segmental
07. People who live in small towns often seem more friendly than those living in ____ populated
areas.
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A. densely B. intensely C. abundantly D. highly
08. As a way of ____ the mails while they were away, the Johnson.s asked the cleaning lady to send
little printed slips asking the senders to write again later.
A. picking up B. coping with C. passing out D. getting across
09. Tom.s mother tried hard to persuade him to ____ from his intention to invest his savings in stock
market.
A. pull out B. give up C. draw in D. back down
10. An increasing proportion of our population, unable to live without advanced medical ____ will
become progressively more reliant on expensive technology.
A. interference B. interruption C. intervention D. interaction
11. These causes produced the great change in the country that modernized the ____ of higher
education from the mid-1860.s to the mid-1880.s.
A. branch B. category C. domain D. scope
12. Nobody yet knows how long and how seriously the ____ in the financial system will drag down
the economy.
A. shallowness B. shakiness C. scantiness D. stiffness
13. Crisis would be the right term to describe the ____ in many animal species.
A. minimization B. restriction C. descent D. decline
14. The city is an important railroad ____ and industrial and convention center.
A. conjunction B. network C. junction D. link
15. Prof. White, my respected tutor, frequently reminds me to ____ myself of every chance to
improve my English.
A. assure B. inform C. avail D. notify
16. Researchers discovered that plants infected with a virus give offa gas that ____ disease resistance
in neighboring plants.
A. contracts B. activates C. maintains D. prescribes
17. Corporations and labor unions have ____ great benefits upon their employees and members as
well as upon the general public.
A. conferred B. granted C. flung D. submitted
18. The movement of the moon conveniently provided the unit of month, which was ____ from one
new moon to the next.
A. measured B. reckoned C. judged D. assessed
19. The judge ruled that the evidence was inadmissible on the grounds that it was ____ to the issue at
hand.
A. irrational B. unreasonable C. invalid D. irrelevant
20. Fuel scarcities and price increases ____ automobile designers to scale down the largest models
and to develop completely new lines of small cars and trucks.
A. persuaded B. prompted C. imposed D. enlightened
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Part 3: Reading Comprehension. (40 POINTS)
Passage A
[A] In a land swept by typhoons and shaken by earthquakes, how have Japan.s tallest and
seemingly flimsiest old buildings—500 or so wooden pagodas—remained standing for centuries?
Records show that only two have collapsed during the past 1400 years. Those that have disappeared
were destroyed by fire as a result of lightning or civil war. The disastrous Hanshin earthquake in
1995 killed 6,400 people, toppled elevated highways, flattened office blocks and devastated the port
area of Kobe. Yet it left the magnificent five-storey pagoda at the Toji temple in nearby Kyoto
unscathed though it leveled a number of buildings in the neighborhood.
[B] Japanese scholars have been mystified for ages about why these tall, slender buildings are
so stable. It was only thirty years ago that the building industry felt confident enough to erect office
blocks of steel and reinforced concrete that had more than a dozen floors. With its special shock
absorbers to dampen the effect of sudden sideways movements from an earthquake, the
thirty-six-storey Kasumigaseki building in central Tokyo—Japan.s first skyscraper was considered a
masterpiece of modem engineering when it was built in 1968.
[C] Yet in 826, with only pegs and wedges to keep his wooden structure upright, the master
builder Kobodaishi had no hesitation in sending his majestic Toji pagoda soaring fifty-five metres
into the sky nearly half as high as the Kasumigaseki skyscraper built some eleven centuries later.
Clearly, Japanese carpenters of the day knew a few tricks about allowing a building to sway and
settle itself rather than fight nature.s forces. But what sort of tricks?
[D] The multi-storey pagoda came to Japan from China in the sixth century. As in China, they
were first introduced with Buddhism and were attached to important temples. The Chinese built their
pagodas in brick or stone, with inner staircases, and used them in later centuries mainly as
watchtowers. When the pagoda reached Japan, however, its architecture was freely adapted to local
conditions -- they were built less high, typically five rather than nine storeys, made mainly of wood
and the staircase was dispensed with because the Japanese pagoda did not have any practical use but
became more of an art object. Because of the typhoons that batter Japan in the summer, Japanese
builders learned to extend the eaves of buildings further beyond the walls. This prevents rainwater
gushing down the walls. Pagodas in China and Korea have nothing like the overhang that is found on
pagodas in Japan.
[E] The roof of a Japanese temple building can be made to overhang the sides of the structure
by fifty per cent or more of the building.s overall width. For the same reason, the builders of
Japanese pagodas seem to have further increased their weight by choosing to cover these extended
eaves not with the porcelain tiles of many Chinese pagodas but with much heavier earthenware tiles.
[F] But this does not totally explain the great resilience of Japanese pagodas, is the answer that.
like a tall pine tree, the Japanese pagoda—with its massive trunk-like central pillar known as
shinbashira simply flexes and sways during a typhoon or earthquake? For centuries, many thought so.
But the answer is not so simple because the startling thing is that the shinbashira actually carries no
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load at all. In fact, in some pagoda designs, it does not even rest on the ground, but is suspended
from the top of the pagoda—hanging loosely down through the middle of the building. The weight
of the building is supported entirely by twelve outer and four inner columns.
[G] And what is the role of the shinbashira, the central pillar? The best way to understand the
shinbashira.s role is to watch a video made by Shuzo Ishida, a structural engineer at Kyoto Institute
of Technology. Mr. Ishida, known to his students as .Professor Pagoda. because of his passion to
understand the pagoda, has built a series of models and tested them on a .shake-table. in his
laboratory. In short, the shinbashira was acting like an enormous stationary pendulum. The ancient
craftsmen, apparently without the assistance of very advanced mathematics, seemed to grasp the
principles that were, more than a thousand years later, applied in the construction of Japan.s first
skyscraper. What those early craftsmen had found by trial and error was that under pressure a
pagoda.s loose stack of floors could be made to slither to and fro independent of one another.
Viewed from the side, the pagoda seemed to be doing a snake dance—with each consecutive floor
moving in the opposite direction to its neighbors above and below. The shinbashira, running up
through a hole in the centre of the building, constrained individual storeys from moving too far
because, after moving a certain distance, they banged into it, transmitting energy away along the
column.
[H] Another strange feature of the Japanese pagoda is that, because the building tapers, with
each successive floor plan being smaller than the one below, none of the vertical pillars that carry the
weight of the building is connected to its corresponding pillar above. In other words, a five- storey
pagoda contains not even one pillar that travels right up through the building to carry the structural
loads from the top to the bottom. More surprising is the fact that the individual storeys of a Japanese
pagoda, unlike their counterparts elsewhere, are not actually connected to each other. They are
simply stacked one on top of another like a pile of hats. Interestingly, such a design would not be
permitted under current Japanese building regulations.
[I] And the extra-wide eaves? Think of them as a tightrope walker.s balancing pole. The bigger
the mass at each end of the pole, the easier it is for the tightrope walker to maintain his or her
balance. The same holds true for a pagoda. “With the eaves extending out on all sides like balancing
poles,” says Mr. Ishida, “the building responds to even the most powerful jolt of an earthquake with
a graceful swaying, never an abrupt shaking.” Here again, Japanese master builders of a thousand
years ago anticipated concepts of modern structural engineering.
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